This was one of those evenings where the usual suspects turned up to play, thirteen performers in all, plus a couple of audience. I started the evening with a Danny Schmidt song Firestorm followed by Lucinda William’s song Sweet Old World. The title I have given this evening comes from a Danny Schmidt song, but I think it describes the evening’s company very nicely.
Next up was Clive with the evergreen, Green, Green, Grass of Home made famous by Tom Jones, unlike when the great Tom sings it, nobody in the audience fainted and to the best of my knowledge no knickers were thrown – you are going to have to try harder Clive. He followed that with Diamond Avenue.
Heather followed with a poignant and soulful version of the famous Scottish folk song Annie Laurie and the Black Jack David as performed by The Incredible String Band. This song also has the traditional feel of a Scottish reel. Nicely done.
Paula has been a regular visitor to the Six Bells and she started with her own composition Borrowed, and then a beautiful Lee Ann Womack number I Hope You Can Dance. Paula is really expanding her repertoire and playing the guitar with real skill now, no doubt due to the coaching of Terry Lees.
Terry just happened to be the next performer on the list. He started with the classic Church Street Blues “I’d string up this old Martin box and go and join some band” played on his old Martin box. He followed this with a Ragtime Medley that really highlighted his expert guitar playing. Needless to say, we all marvelled at his skill.
Most people play a couple of numbers when they come, in Chris Martin’s case quite literally. In this instance he played No. 66 and No.67, painting by numbers is well established – playing by numbers is new to most people. The names of these self penned tunes were Tomorrow’s Children and Stories to be Told (just in case the PRS want to check up on him).
We then came to the Lisa, Jason and Helga part of the evening. Lisa and Helga started off with Lisa’s own song Music Is All Around Us, a song that included some great whistling by Lisa and improv flute from Helga. Lisa and Jason then did “Bobs Song”, Tonight I’ll Be Staying Here With You. Magnificent harmony and it is nice to see Jason back again. They followed this with Handbags and Gladrags. Then it was Jason on his own singing There was a Young Man Named Me which as far as I know he wrote himself.
Keith was next up and sang us two of his own songs, An Acorn in Each Hand which is one of the best illustrative story songs I have ever heard and Terrible Portrait. We should count ourselves lucky because the calibre of the songwriters we have at the Six Bells is really impressive.
Manus then took to the microphone brandishing a home made effect box. This sadly suffered a technical problem and had to be abandoned so we will await its next outing with interest. He came up with a couple of real classic’s What’s New and Lovely Day.
Ella, on electric keyboard this evening, started with a slow rendering of The Nearness of You in the style of Norah Jones and lastly Woodstock with a funky organ accompaniment, reminiscent of that Hammond organ sound that became ubiquitous in the late 60’s.
Helga said she would like a spot to herself and elected to play a second song with Lisa, this was Lavender Blue, a Lisa arrangement with a haunting flute melody played to accompany her vocals and guitar. Helga has been away from the club for a while so it was nice to see her back.
Next it was Sylvie’s turn and she sang for us her own composition called The Cleaning Lady about an ex-ballerina who while being “Oh, so very neat” was hopeless as a cleaner.
Lastly, to remind everyone that Ella is hosting a traditional folk night next time I played Here’s to the Feet and insisted the remaining audience join in – fortunately for me, they did. See you all next time.
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