21st June 2022  

What a wonderful way to celebrate Midsummer! Well, not the middle of summer necessarily, there’s plenty more of that, but it is the Summer Solstice today.
So many excellent musical performances and so much variety.

I will thank Jason and Simon at the front of the blog for setting up the sound system earlier in the day and for Jason working tirelessly to bring us good sound as swiftly and smoothly as possible during the evening, with Lance stepping in briefly when Jason was performing. It took a while for everyone to arrive but as more performers turned up we had what seemed to me to be a high energy positive vibe going on with several new faces, well, new to me.

Following my first offerings of Joni Mitchell’s ‘For Free’ and Ricki Lee Jones’ ‘Danny’s All Star Joint’ on keyboard, Bev and John performing as Tilsmore, took the evening forward in country-style, with ‘The Dark End of the Street’ by James Carr, and Bev’s song ‘Shotgun Wedding’. Both playing guitar and giving us some lovely vocal harmonies.

Jason and Lisa also both playing guitar, but in a very different style, sang the Ry Cooder song ‘Travelling across the Border Line’. Again we had some lovely harmonies and additional support and embellishment from Helga on flute. Bill Munroe’s ‘Blue Moon Kentucky’ continued their characteristic harmonies and musical threads.

Manus sat to play his recently restored 70 year old acoustic Spanish ‘Tatay’ guitar to give us a Spanish inspired interpretation of ‘True Colours’. The song written by Tom Kelly and Billy Steinberg was made famous by Cindi Lauper. Reflecting on Jimi Hendrix’s Native American heritage his next song was ‘Little Wing’. The wandering song speaks of a woman who embodies the wild spirit of nature, communicating her positive energy through shining light.

Helga returned to the mic and played Tanquillos, a flute piece composed by Juan Pakia (apologies if I don’t have the name quite right) followed, with guitar support from Jason, by Dimming of the Day, a song by Richard Thompson.

Simon began with Gillian Welch’s ‘Barroom Girls’ … Oh the night came undone like a party dress …. Followed by Danny Schmidt’s ‘Company of Friends’, remembering the words was apparently a test of his memory. He passed, of course.

All of our performers were receiving loud appreciation, which really built the vibrant energy of the evening.

Lance was at the mic next with a song called ‘Time is a Stealer’ observing the changing of life’s tides and fortunes. His second song reflected the beautiful countryside along the Downs between Seaford and Beachy Head. (One of the most beautiful places on the planet as far as I am concerned!).

With a complete change of presentation i.e. total absence of musical instruments, the lovely ‘Botticellis’ trio of Joey, Gillian and Lynn sang exquisite harmonies starting with the Kinks’ song ‘Lazy Afternoon’, joined by Lisa for a temporary quartet before they went onto ‘My heart goes out to You’ a song written by Anders Bagge, Allan Rich and Rick Nowels for Belinda Carlisle but also known for a version by Amy Sky, Olivia Newton-John and Beth Nielson Chapman. This lovely trio had travelled from the distant shores of Littlehampton, Southwick and Brighton to join us and we felt suitably privileged that they made the journey.

How the styles swept one way then another as Keith took over to present something of an ‘homage’ to the American songbook (if I heard him right) with his song ‘Can I love You Enough to Let You Walk Away’. James joined him on percussion for this and the next ‘Slow One’. This song also included Helga on flute with a solo spot, as the mood went sliding from jazz into blues. It’s in the name, but the Six Bells Folk and Blues Club doesn’t often see much blues, or folk, in its more traditional sense, but plenty of other genres with country often making an appearance. Tonight was an exceptional cross-section of material and style.

Sophie stepped up with her guitar to sing two of her own songs in soft contrast to the greater intensity and complexity of Keith’s two-song set. The first was ‘This Life of Mine’ a quietly confident observation which she followed with a new song that doesn’t yet have a name but went along the lines of ; ‘ It’s a special thing to love and be loved in return, …. One thing I’ve learned’.

Neil has been to the Bells before, but apparently not since before lockdown. He was definitely playing blues, starting with a Billy Boy Arnold song: ’Don’t Stay Out All Night Long’. Mississippi John Hurt was inspiration for the second piece and both songs were very powerful and complex, well I say complex, I think his fingers were becoming a blur.

Always a welcome contributor, Jayne came to the mic and sang ‘Across the Great Divide’, a Kate Wolfe song. Her second song was one of her own: ‘Freedom Bound’ which contemplated waiting for the right time to make a move with some lyrics about the last train running freedom-bound…. and I’m thinking with the current rail strikes there could be a joke in there somewhere, but I don’t think the sentiments of the song were joking.

Monica had decided to join us tonight and borrowed a guitar to sing ‘Streets of London’ by Ralph McTell which offers a reality check to those who may feel hard-done-by. She encouraged the audience to join in, and so we did. Thank you Monica.

With everyone having played, we moved into second appearances which some of us decided to miss as time was beginning to run short.

Bev and John (Tilsmore) sang ‘Diane’ by Cam, starting by singing in unison then brining in their guitar accompaniment. We moved swiftly onto Manus’s self-penned song ‘Desperate Don’ a blues about living in darkness under the duvet. We had some very accomplished blues singing and playing tonight.

Keith’s song ‘Baby Steps’ about taking chances in life went at a pace that reflected the title in its slow and measured progress. He was again supported by Helga on flute and James on percussion. Moving from baby steps to chains, the Botticellis gave us ‘Chains of Love’… baby’s got me locked up in chains, got a hold on me …. Then into another blues from Neil inspired by Eddie Taylor a musician and singer in his own right who was also well known for supporting or working with the likes of Jimmy Reid and John Lee Hooker.

It felt like the evening had reached a crescendo and it fell to Jayne to bring us gently back down with her song ‘Queen of Procrastination’. For her it was bluesy and wandered along, very laid back, bringing our midsummer evening of music into a soft landing.

It was a wonderful collection of performers and performances and I felt really privileged to be hosting. I was going to sing Woodstock by Joni Mitchell, had there been more time, but still felt it was important to echo her line ‘we are stardust’, because technically we are actually formed from elements created through various super-nova stellar events over unimaginable millions of years, and I wanted to reinforce that idea that we truly all are stardust and carry that spark. I think the spark was working very nicely, thank you very much, this evening. Thank you everyone and I hope those who are regulars, those who are newcomers and those who are returning, will join us again, soon.

Ella.

7th June 2022

As host for the evening and with people still arriving, I thought I'd play it in with a couple of guitar instrumentals [perhaps more later] It was billed as a 'Singer's Night'.
 
Stef' came up with her guitar and sang a couple of ballads starting with Frankie Laine's 'I believe', which had been well recorded back in the day, and she was followed by Terry who continued the theme, stylistically at least with 'The Ballad of Dean' of the Bowling Green Prison, Kentucky. And a very interesting personal arrangement of the Jackson C. Franks song 'The Blues Run The Game'.
 
Then our first duo in Lisa & Jason with Lisa singing more in the mid-range than usual with, what I thought of as their “folk song” provisionally entitled, 'Tapestries' and another original after which they were persuaded to stay on for 'Blue Moon' in which they were joined by me, on the nylon strings [gtr] as a Standard. Lisa's friend, Joey followed up with her own 'Over Grey Clouds' on gtr/vocals and then with Buddy Holly's 'Doesn't Matter Anymore'.
 
 Then it was Clive with 'Fathers and Sons' [Cat Stevens] and his own 'Like A River' which he introduced as a sort of prelude to C J Martin [he writes his own songs, in a similar vein, too] and he  went with the flow as time passes us by : 'Journey' as a prelude to 'Another Journey' and Heather with the jaunty 'Leaving On A Jet Plane' which she resolved with a nice C Maj 7th inversion on her nylon strung gtr. And, a Harvey Andrews piece called 'Drifting On A Breeze'.
 
More originals, this time powerfully delivered by the Singer/Songwriter [reforming Attorney at law from N. Carolina] Erika; 'Cathedrals In The Sky' and something in rather close proximity to a love song [she confessed] – 'As I Am'.
 
Nice to see/hear Jim Neale again, a week since The C&A in Eastbourne of which he is a mainstay [end of June : a Singers Night' he told us] before singing with his gtr [much envied Yamaha FG 180] in a mellow tone, 'The Summer Before The War'. Then the anecdotal {50 shades Of Hay, of Herefordshire} aka 'The Hiring Fair' which was funny.
 
Colin Chapman continued with good humour in a bluesy rendition of himself as the Human Hybrid : 'Stuff It!' and another case of mistaken identity within 'In The Long Arm Of The Law' which reminded me of Peter Sellars and Stephanie Powers in The Pink Panther – “de loar? Yes, hmm, yes, the law” [excuse my quasi-French indulgence here but I have an arch-top gtr called The Loar], this 'long arm' thing is pretty Universal, though. It gets me every time!
 
Moving on, Robert Aldridge came out with 'Sweet Sixteen' and a more obscure song [he couldn't remember the title of it] effectively, penultimately, to our second duo performance of the evening, Charlee & Lucy, at which point my shorthand seems to have gotten rather opaque. Charlee, though, accompanied on gtr and there was a song about an orphan as written by Gillian Welch [he told me] entitled 'Illinois'. With an emphasis on the harmonies, it was very enjoyable.
 
Keith concluded this set with a more recent song of many [recording CD wise though, still a-work-in-progress. till Friday ...]. 'Complete Respray' and an atmospheric instrumental piece called 'Reflections'. Both of these well defined little gems were played on an Antoria semi-acoustic Arch-top gtr. A nice variant I think. I am invested in these things, heavilly.
 
I picked up on the protocol, though, coming round again, with a song – my song, 'Murray's Bar'. Stef followed me with 'The Coming Of The Roads'.
 
Terry gave us an instrumental, an English Dance Tune as performed on his recently acquired, and open-tuned, CF Martin – I think he has bonded with this one ….
 
Joey/CJM/Heather [Brand New Melanie Roller Skates]. Erika, 'To Believe in this Living …' Jim, 'Still Crazy After All These Paul Simon Years'; Colin, 'Ordinary Things'; Robert, 'Cowboy Theme'.
 
One for the road? Keith played us out with his anthemic [it seems, after just recently recording it in my flat], 'The Slow One' let us down gently - whilst lifting us up in spirit, for our return trips – good music has a way of doing that, doesn't it!
 
As I dispatch this, here's hoping Simon's cold improves soon as it prevented him from participating in another nice night out, this time.
 
 Manus

Remembering the Halcyon days of the club followed by the wild swings in location and attendance during and after Covid, I was truly dazzled by the numbers of old friends and new faces that turned up on Tuesday. A few regulars appeared as expected, but then they kept coming, and still they came some more. Not only musicians. There were several people who said they'd 'just' come to listen. That activity is never 'just' – having an audience makes a real difference to how the musicians feel about the evening and I hope that audience enjoyed it and will come some more. There was such a variety of genre: country, blues, pop, jazz, folk, and such a variety of instruments: piano, accordion, flute, guitar, a capella vocals and even percussive dance.

            To kick off, I did a piano version of my own Lives You Could Have Tried. The first guests were Pippa and David doing expert covers on vocals and guitar of Oasis' Live for ever, George Azur's Anyone and Fleetwood Mac's Dreams. Simon Watt was up next with a couple of country(ish) songs including Dylan's Spanish Stair. We weren't treated to Simon's self-penned humour tonight but if that's what you need he's just produced an excellent album God's Christmas Card which is on Spotify, Amazon, Apple and CD.

            An exciting Celtic Duo Shindig followed, playing accordion and guitar. They started with Cherry Tree. It was during the second piece, a reel, that the accordionist let her feet loose and became the rhythm section too, emphasising the downbeat with dance, while still playing. A first for the Bells, I think.

            Helga played the jazz standard Black Orpheus on solo flute and then invited up Jason and Lisa for her second song. With their close harmony singing and empathetic guitar playing they are a wonderfully matched pair. A rather unlikely, but entirely successful, choice for their song was Leadbelly's Old Cotton Fields Back Home – their sweet style a million miles away from Leadbelly's original blues shouting and blending well with flute. When it came to their own spot they did the poignant Handbags and Gladrags and a song by Jason's Dad, Gerry Loughlin.

            Manus, the resident jazz phenomenon, did some bluesy plucking on Ray Charles' Halleluiah I Just Love Her so. Manus' arrangements always bring something new to standards and he writes original stuff too.

               Welcoming Chris Martin to the Stage, I had no sooner remarked on how many CDs of self-penned songs he has produced than he pressed yet another into my hand. This new one is called Clearly Opaque. Chris sang about looking for a friend as one of his two originals.

              Heather sang the folk song The Water is Wide known in many incarnations as Waly Waly and having roots in Scotland. She took many of us back to our halcyon days with James Taylor's You've Got a Friend – neatly replying to Chris.

            Spider fingers Terry Lees, who appears on Radio Bexhill this weekend, did some intricate work on his own bluesy composition She's Bound to Love Me Some and then tuned down to low and rumbly open C for an instrumental Merrily Kiss the Quartermaster's Wife.

              Paula reminded us of the times when Britannia ruled the Eurovision Song Contest by singing the last British Success Love's True Light. From a Distance followed, and nicely sung too.

               Helen showed her usual bravada in solo a capella performances from the world of pop, with "All Round My Hat"  by Steeleye Span and Moondance by Van Morrison. Returning to Scotland, Stephanie sang the Skye Boat Song and then did a Leon Rosselson number Coats Off for Britain. It was nice to hear his humour again and Steph's comic timing and intonation came off well.

            Bob Melrose's return to the club was welcome and he gave us some assertive bluegrass picking on Like a Summer and then played Church Street Blues. By this time the angel's share of the audience had evaporated and Bob was one of the three patient souls yet to sing, all last but definitely not least. 

                 Sophie sang well on one of her own Looking for a Place to go home and  the final surprise was some fine vocal work, accompanying herself on piano, from Amanda Shaw. Eva Cassidy's Song Bird was great. All three of these late acts were very good and very welcome.

            I finished with Too Sad To Sing The Blues with superb flute from Helga. A welcome reunion to complement all the new and old faces seen tonight and well exceeding any expectation of the night I had. Jason bravely tackled the PA. Thanks to him, Simon Watt and everyone else whose organisation made the evening a great success.

It was great to be back to the post Covid way of doing things. The sound desk, performers being introduced instead of just going on and the generally relaxed atmosphere of normality. Just like the old days when an evening at the Six Bells Folk & Blues Club was simply “a good night out”. The evening was further enhanced by some new performers and audience members. Thanks to Lisa, Jason and Heather for doing great work in promoting the club in recent weeks.

To start the evening off I sang “Here’s to the feet” a boisterous pirate ballad. Following this the Willie Nelson classic “Good Time Charlie's got the Blues” and finally “Otto the Nine Foot Giant Lizard”, a nonsense song that I wrote for my daughter all those years ago.

Then came the inimitable Lance who managed to come up with two songs in a row about dog poo. It seems this is something of an obsession in the Maleski household. Two songs featuring this subject in a set of three is probably a world first and remember – it happened in Chiddingly! Lastly, and to the relief of all, his final song “There’s no Going Back on Love” came as a pleasant finale. Lance spent most of the evening running the sound desk and helped in packing it away later. Thanks Lance.

Next up was Clive, he likes to find a song appropriate to the time of year and tonight was no exception. What better than the "Padstow May Song", an important part of the famous Padstow 'Obby 'Oss festival. I hardly liked to mention that we were still in April. This was followed by "The Path of Love" and lastly the Canned Heat classic “On the Road Again”. Clive also helped Lance with the sound desk.

Clive was followed by Helga. It’s nice to see Helga back and to hear her flute. She started with a piece by Bach and was then joined by Manus for some improv blues. Lastly, she accompanied Lisa and Jason on one of Lisa’s own songs “Fancy Man”.

Now came the turn of some very welcome newcomers, Duncan and Stella. Duncan played Mandolin and won the prize for the most colourful trousers of the evening. Stella played the accordion; it is so nice to have a change from our usual guitars. To start the 17c Irish “Planxty John Irwin” by the blind Celtic harper Turlock O’Carolan, then a Romanian traditional melody “Tintarouil de Laslovat”. These were followed by two French tunes “Gnossienne No.1” by Erik Satie (19c) and “Le Petit Bal de la Marine” by Francois Deguelt. Lovely.

Then came our resident duo Jason and Lisa, starting with the Tom Waits 1970’s classic “The Heart of Saturday Night”. Helga joined them for “Simple Smiling Face” (an early Jason song) followed by Dylan’s “Girl from the North Country” and last “Blackbird” by Sir Paul McCartney. Great harmonies as always.

Next, we had Manus our cool jazz-master. He gave us “Little Wing” by Jimi Hendrix, “I Ain’t Superstitious" by the Jeff Beck Group and lastly a guitar solo improvisation of Henri Mancini’s “Days of Wine and Roses”.

It was nice to see a return of Lia and Jeff, we saw them last summer when we played in the garden A father and daughter team, Lia sings and Jeff is a very fine guitarist. They started with “Happier Than Ever” by Billy Eilish, then “On my Mind” by Georgia Smith and “Don’t Know Why” by Norah Jones. Jeff ended the set with an instrumental “The Burren” a traditional Irish tune. It sounded great from where I was sitting. With a little reverb through the desk, it filled the room with a haunting Irish lilt, beautiful.

We were fortunate next to be entertained by a man with many names, tonight he was known as Clint Westwood and as the name would suggest, his music had a strong country influence but with his own twist. Clint started off with his interpretation of the Johnny Cash song “The Devil Went to Georgia” followed by John Denver’s “Grandma’s Featherbed”. Finally, a song I assume Clint wrote himself “Dead Man on a Train”. Slick, amusing and great guitar, Clint is a polished performer – we want to see him come back!

Finally, we had a song from a regular at the Six Bells and a keen Morris Man, Cliff. He sang for us an unaccompanied song “The Watercress Girl”. This rounded off the evening nicely.
Thanks to all of those that came to play, those who came along to watch and listen and to those that helped me pack everything away afterward. Next time our host is Keith, I hope to see you all again then.

Simon

Another relaxing evening, purely acoustic with no amplifiers or microphones in sight. There were 9 performers and what follows is the of names of performers and the songs they sang/strummed/performed etc.

We went round twice with each of us performing 2 songs first. Steph was first up and sang ‘You Can’t Black Out the Moon’ and ‘Eleanor Rigby’ Helen performed ‘Love Letters’, a song written in 1945 and recorded by both Elvis Presley and Alison Moyet.

Chris Martin was up next and and sang 2 of his own songs ‘It’s Only My Time’ and ’Tick’Tock.

Roy Champion was up next and played 2 pieces on the piano, a Prelude by J S Bach and the theme from the Octet by Schubert.

Lance was up next with ‘Why Did The Chicken Cross The Road’ and a song inspired by talking to Chris Martin, ‘70s Casualty’

Helga sang a German song written by Wolf Bierman. She learned the song in her twenties and it is called ’Take Heart’ The second song was a jazz classic called Blue Bossa. In the arrangement she changed the bossa rhythm to flamenco.

Ella was back for the first time in over a year. She sang ‘Goodbye’ a Patty Griffin song and Iris Dement’s song ‘Our Town'.

Manus performed Hoagy Carmichael’s ‘The Nearness Of You’ and the Charlie Mingus song ‘Goodbye Porkpie Hat’.

Jason and Lisa who sang Dylan’s Girl From The North Country’ and a new song of theirs called ‘Where On Earth Would We Rather Be’.

Heather sang The Dixie Chicks song ’Travelling Soldier’ and her own song called ‘Just a Dream’.

We all went round again and sang a song each as follows -: Steph sang ‘You’ll Never Know How Much I Love You’ Helen sang ‘The Mummers Dance’ Roy decided that he had performed all he wanted to and carried on listening Lance sang ‘Sadie’ Ella performed Joni Mitchell’s ‘Big Yellow Taxi’ Manus sang his own song ‘Murray’s Bar’ Jason and Lisa performed a song written by Jason’s dad ‘Lifeline’ Heather wrapped things up and sang ‘What have they done to the Rain?' Written in 1962 by Malvina Reynolds. Originally called Rain Song, it was a protest against nuclear power.

Lance of Seaford (retired)

26th October 2021

Against a background of rising Covid cases, road works and other sickness, 5 hardy souls braved the weather and gathered as one at the 6 Bells. Tales were told and songs were sung. There was no amplification as Simon was too unwell to carry out his usual unselfish task of setting everything up for us. Instead we sat in a circle and performed acoustically.

It was a really nice evening Chris sang 5 songs follows’. My Only Hero’ a song he began at the recent songwriting workshop and completed afterwards. Chris’s hero was Peter Osgood who played football for Chelsea, and later, played for Southampton. His other songs were ‘Insomnia’s Dream’, I Want To Sing Along’ ‘My Mum, The Care Home and Alzheimer’s’ and ‘Ghosts’.

Roy who usually come along to listen played 2 pieces on the piano, a Mazurka and a Minuet.

Lance sang 5 songs in quick time ‘Old Bob’ a song about his labrador ‘The Old River’, ‘He Isn’t There Any More’ ‘Better Eat Your Veggies” and lastly ‘The Nativity Song’ all about baby Jesus, the King Of Kings and the Wise Men.

Heather sang ’Yes Dear’ , ‘Weald and Sea’, ‘The Skye Boat Song’ and ‘Here We’ll Stay’.

Clive sang 5 songs as follows.’The Grey Funnel Line’, ‘All Of The Love Will Remain’ ‘I Guess You’ll Never Know’, ‘ Above The Grey’ and ‘If You Will Be My Friend’

And that was it, packing up was easy to do as we were acoustic and all we had to do was put our guitars in their cases and like Elvis, we left the building.e to edit.

28th September 2021

A petrol crisis affected open mic night took place on 28th Sept. Only 7 performers had enough to confidently get there and home again participated… but we had a lovely evening.

Simon started proceedings with 3 songs. “Walking in Memphis”, a Van Morrison song “Sometimes We Cry’ and finished with his own song “Bernard The Fireman”

Clive was next up and sang Whisky In The Jar” a song he wrote about more housebuilding taking place called “Open Fields” and lastly, he sang Donovan’s song “Colours”

Lance sang 3 songs “Sadie”. “No Going Back On Love” and a song about a spider called “Spidey”

Nightjar were up next and performed 3 songs, “Nightjar” “Silverburn (or Silver Byrne) and “Poor Boy”. Greg on bass/soprano sax and Nigel on guitar.

Manus was up next and performed 3 songs…”On The Crest Of A Wave”,  “Murray’s Bar” and “True Colours”   As an aside Murray’s bar was a bar inside the Clearview Hotel in Seaford.  My wife tells me her first husband stayed in the same hotel the night before their wedding in 1986. The hotel subsequently became some sort of care facility. 

Last up was a newcomer all the way from South Carolina, Erica ,who sang 3 songs “Mamma Ain’t Got No Time” “This is How I Pray” and lastly a John Prime song “ Angel From Montgomery”. Erica had to leave early and did not perform again.  She has promised to return.

We all went round again….

Simon sang 2 songs “Little Rocket Man” and “Soft Spot”

Clive sang Nina Simone’s “Where Can I Go Without You?” And Julian Lennon’s “Salt Water”

Lance sang. “Why Did The Chicken Cross The Road” and ”Pick Up Your Dogshit”

Nightjar returned and preformed 2 songs “Cuckmere” and “Freestone Walker”

Manus finished off proceedings with Ray Charles song “Hallelujah” and “Summertime”

We packed up and drove home into a night of torrential rain

Lance

14h September 2021

It was a damp and dewy starlit night….sounds like the beginning of a song!  But it’s how it was.  After a slightly slow start, we ended up with 12 performers outside and 2 in the back room.  It will probably be our last outside gig this year, because the nights are drawing in and the air itself is becoming moister which isn’t good for our instruments or PA.  So, hopefully, from the 28th September we’ll be back in the back room.

I’m so sorry if I don’t get all of the details right.  I was trying to take photos, write notes and stay warm, which seems to be a little much for my poor old brain.

Simon brought his amp down and setup, like he always does, and opened up the evening with Calm before the Storm, Try a little Tenderness and his Brexit song. As always, his performance was clear and cool, with a touch of humour.  Always enjoyable.

Manus followed with some slick jazz-style guitar and gave us his arrangements of Dylan’s ‘Don’t think Twice’, John Martyn’s ‘May You Never’, and ‘The First Time ever I saw Your Face’ which was made famous by Roberta Flack but originally written by Ewan MacColl (father of Kirsty) for Peggy Seeger in 1957. I do like to find out these little details!  All tricky songs, and all played in true Manus style.

In the meantime, Greg was playing his electric double bass in the back room with a friend on acoustic guitar.  He’d set up there and was worried about the damp air affecting his bass.  I popped in a couple of times and there was some lovely music going on in there!  Hopefully he’ll be able to join the rest of us when we all move inside!

Jason and Lisa were up next with their beautiful harmonies and totally sympathetic duet performances.  They performed two of their own songs, ‘Go Gently into that Dark Night’, and ‘Song of Silhouettes’ followed by their rendition of ‘Ruby Tuesday’ as a tribute to Charlie Watts. Always a pleasure to listen to them.

It was lovely to see Clive, and he brought me a Sumac for my garden.  Thanks Clive.  He started with the politically incorrect ‘Water Melons’ song.  Always good for a laugh although I couldn’t find any information on it. Then he sang his own song, ‘The Path’ and then ‘Caravan Girl so Fair’. Always lovely, clear performances from Clive, although I didn’t manage to find a couple of the writers. Sorry ☹

Ollie was up next, with his footrest, and gentle picking style.  He gave us ‘She belongs to Me’, Dylan, and ‘Jersey Thursday’ by Donovan.  A couple of lovely classics.

Helen was up next for her a Capella slot.  Her first song was ‘On the Wings of a Nightingale, written by McCartney and performed by The Everly Brothers as a tribute to Don who left the building last month. This was followed by The Letter by the Box Tops, then Steph joined her for a performance of Wayfaring Stranger, a classic song the origins of which are unclear, but has recently had new life featuring in the film 1917. This was a touching rendition with some lovely harmonies.

Steph carried on with Some Kind of Love by John Stewart, then managed (almost) to keep a straight face through ‘Oh Pray Gentle Maiden’ otherwise known as The Chastity Belt song and I think might have been written by Jasper Carrot.  The rest of us tittered!

We were pleased to welcome Peter Wilkins next, as a newcomer to The Six Bells Fold ‘n’ Blues. He opened with Ralph McTell’s ‘The Girl from the Hiring Fair’.  I think this was followed by a song about the great explorer Matthew Flinders, but I had a loo break.  Sorry Peter.  His last song was his own composition about Britain’s Last Hangman, Harry Allen, called ‘An Ordinary Bloke’.  Not easy to be a gentleman hangman.  Apparently, he always wore a bowtie as a sign of respect but never lost any sleep over the hangings.  He also worked as a bus driver and a publican.  Interesting the things you learn hanging around Open Mic nights!  Lovely to meet you and listen to your music Peter.  I do hope you can come again.

Helga performed a classical flute piece on the flute, strangely haunting in the gathering dewy night, then sang ‘Let it Be’. She finally joined forces with Lisa for a performance of ‘Black is the Colour’, one of my favourites.

Keith Willson was up next with his own composition ‘Colonsay’.  Keith’s guitar playing is always a pleasure to listen to.  I love the way he can combine jazz, folk and classical influences to his music.  He followed this with his arrangement of Hoagy Carmichael’s ‘Georgia’.  Lovely.
 
I followed with a couple of my own songs, ‘Double Entendre’ and ‘Lady by the Shore and finished with James Taylor’s ‘You’ve got a Friend, which I think is always a warming feelgood song!  We were getting rather damp and chilly by then.  Have I mentioned the damp before?  It was starting to pour off people’s guitar cases and my scarf was definitely soggy!

 Chris finished the evening with three of his own compositions, ‘The Man’, ‘Journey’ and ‘Scrapheap Blues’ all sung in his own inimitable style.  I particularly enjoyed his rendition of Journey which I thought came over very well.
 
Thank you for coming everyone.  Chris and I won’t be there next time.  Hopefully we’ll be warmer, and dryer, in Madeira, but the evening will be held in the back room where we look forward to joining you all the following time.
 
Heather

31st August 2021

We might have expected better of the weather in August in the midst of a climate emergency but no, it was overcast and later on it got a bit chilly. But what we lacked with the weather we made up for with quality. A guitarist of the year and a radio star were among those who turned up to play.

I started the evening off with three songs then retired to a safe distance. I started with the Grateful dead song "Monkey and the Engineer", followed by "The Rocket" I don't know who wrote that and lastly my own composition "Too Much Snow". Anyone who wanted one could have a bonus track later and, with a nod to hurricane Ida, I chose the Randy Newman song Louisiana 1927.

Next came Chris Martin a man who has produced a number of CD's and is no stranger to the recording studio. From his back catalog he chose "Life's a Race", "It's Only My Time","Paper Wings" and "Toast for One". You will find all of these on Youtube if you are to look.

Chris was followed by the star of Paul Huggett's Golden Nuggets, Heather Currie who has recently released an album called "Old Friends" which is well worth a listen. Her songs were "Ruby Tuesday", "Sometimes" by Heather, Paddy McGinty's Goat and "Seasons" also by Heather.

Next up we had Guitarist of the Year Terry Lees. He was only Guitarist of the Year once for the simple reason that once you have won you are banned from standing again. What a great title and as you might expect we had a performance to match. Terry's offering were "Merrily Kiss the Quaker" and "Angie".

Accompanying Terry we had Greg on sax. It is always a treat when he turns up and fortunately he is versatile enough to sit in on most types of music. He later joined Helga and Terry in a jam and joined me on my final song.

Terry was followed by newcomers Leia and Geoff a very polished father and daughter combo. Leia sang the Billy Eiish number "Happier Than Ever" and I have to say if you know that number Leia had it down to a T. Dad Geoff accompanied on guitar. Clearly wanting to leave the punters wanting more, that was all we heard from Leia. Geoff then played an instrumental, the Irish tune "The Burren". Both were very polished and we hope to hear more of them in the future.

Helga's first song had a German title which is beyong my pay grade. She followed this with an extended jam with Terry and Greg which optimistically included "Summertime".. Helga has been learning jazz singing techniques and was able put this into practice.

Lastly we had Oliver Hill, he gave us some rock standards to finish the evening "I Can See Clearly", "Mr Tangerine Man" and "Donna, Donna" a great set to round off the evening.

Hopefully we will have greater numbers next time.

Stay safe

Simon